八大山人与潘天寿荷花作品比较研究.pdf

摘 要 摘 要 在中国绘画的历史发展过程中，有一个我们永恒的话题——中国画的继承与创新。在 大写意花鸟画发展的历史长河中，正是由于很多画家不断的学习和吸收古人的优秀成果和 经验，并结合自身的思想情感和所处的时代环境进行创新，因此，中国画的发展有着紧密 的联系，传承性与创新性贯穿其中。不论哪一位杰出的画家，如果只是一味的临摹前人而 没有自己的独特的创新与发展，很难形成自己的绘画风格，并且很快被历史所淘汰。 荷花题材作为花鸟画中比较常见的绘画题材被很多的文人画家所喜爱。本文以荷花题 材作为文章的切入点，以八大山人和潘天寿这两位花鸟画大家为研究对象，探究他们在用 笔用墨，章法布局，色彩和造型等一些方面的关联性和差异性，并结合八大山人和潘天寿 所处的历史时代，成长经历等探究和分析造成这种差别的原因，结合古人的绘画作品，寻 找出二者对前人优秀成果的继承与创新。特别是二者在荷花题材方面对后世的影响，以及 启示我们在以后的中国画学习中如何正确的看待继承与创新的关系，并对我的花鸟画学习 以及创作提供借鉴。 关键词：八大山人，潘天寿，花鸟画，荷花，艺术风格 Abstract Abstract In the course ofthehistorical development of Chinesepainting,there is a topic that wewill never give up - the inheritance and innovation of Chinese painting. In the history of Chinese painting development, it is because many artists continue to learn and absorb the outstanding achievementsand experience ofthe ancients, combinedwith their own thoughts and feelings and the environment in which the environment for innovation,therefore,the development of Chinese paintinghas a close connection,With inheritance and innovation through them.Nomatter which outstanding painter, if only blindly copy their predecessors without their own unique innovation anddevelopment,it isdifficulttoformtheir ownpainting style,and soon eliminatedbyhistory. Lotus theme as a flower and bird painting in the more common painting theme is a lot of literati painter favorite. In thispaper,the lotus theme as the entry point of the article to the eight mountain people and Pan Tianshou the two flower and bird painting as the object of study, to explorethepen with ink,chapter layout,color and shape and some other aspectsoftherelevance and differencesAnd combined with the historical history of the eight mountain people and Pan Tianshou,growth experienceand other exploration and analysisofthereasons