王邦畿诗歌研究.docVIP

PAGE PAGE 18 摘要 王邦畿（1618—1668），字诚斋，明隆武元年(1645)举人，与程可则、梁佩兰、陈恭尹等，结兰湖社，合称“岭南七子”。著有诗集《耳鸣集》，该诗集收录了诗歌416首，这些诗歌题材丰富。王邦畿诗歌题材主要有：抒发送别真挚情感的送别诗；抒发故人之思并以史鉴今的追思怀古诗；描写登高望远的写景纪游诗；趣味十足哲理丰富的咏物诗；记录生活小事的生活叙事诗；抒发自己隐逸以及生活情感的隐逸杂感诗。其诗风格大气磅礴，善以夸张奇特的描写方式，多用典故和生动意象营造色彩丰富对比鲜明的诗歌意境，或在诗中发表议论，表达作者淡泊名利的生活情感。 关键词：王邦畿 诗歌 以文为诗 Abstract Wang bangji (1618-1668), with the word Chengzhai, was raised in the first year of Longwu in the Ming Dynasty (1645). In his later years, the letter of rites to monks was written by Yu Leifeng, who became a monk with the legal name of todays roar. Together with Cheng Keze, Liang Peilan, Chen Gongyin, etc., it was called Lingnan Qizi. He is the author of tinnitus collection, which contains 416 poems with rich themes. The main themes of Wang bangjis poems are as follows: farewell poems to express the feelings of farewell; poems to express the thoughts of the old people and to reflect the present with the history; poems to describe the scenery and travel in a long distance; interesting poems to chant things; life narrative poems to record the little things in life; poems to express his own seclusion and feelings in life. His poetry style is majestic, and he is good at exaggerating and peculiar description, using allusions and vivid images to create a colorful and distinct poetic mood, or expressing the authors life emotion of indifference to fame and wealth. Keywords: Wang bangji;Poetry;Poetry in writing 目 录TOC \o 1-3 \h \u 28702 一、引言 1 32347 二、王邦畿诗歌的题材内容 1 31366 （一）送别诗 1 12497 （二）追思怀古诗 3 381 （三）写景纪游诗 6 21190 （四）咏物诗 8 21190 （五）生活叙事诗 9 21190 （六）隐逸杂感诗 1 0 12618 三、王邦畿诗歌的艺术特征 11 19827 （一）夸张奇特的描写方式 11 13061 （二）以才学为诗 11 17907 （三）善用生动意象塑造色彩鲜明的诗歌意境 1 2 19250 四、结语 1 4 5637 参考文献 15 9977 致 谢 16 王邦畿诗歌研究 一、引言 王邦畿（1618—1668），字诚斋，广东番禺人，明隆武元年(1645)举人，绍武时曾官御史。桂王即位于肇庆，邦畿舍家从之。桂王西奔云南，追随不及，避地顺德龙江。早年生活安逸，闲适山水之间，1652年礼僧于雷峰出家为僧，法名今吼，字说作。与程可则、梁佩兰、陈恭尹等，结兰湖社，合称“岭南七子”。著有《耳鸣集》。时至今日，有关他的生平资料遗留下来的不多，主要见于《广东文献》《广东文征》《番禺县志》《广东通志》《胜朝粤东遗民录》中。[1]王邦畿现存著作仅《耳鸣集》[2]，该诗集收录诗歌共41