现实·疯癫·理性 ——由《大师和玛格丽特》、《百年孤独》看布尔加科夫、马尔克斯的魔幻世界.pdfVIP

摘 要 布尔加科夫与马尔克斯在作品中都运用假定性艺术形式来表现现实，这使得 他们的作品有相似的面貌。本文主要采用文本分析的方法，以布尔加科夫的绝笔 之作《大师和玛格丽特》和马尔克斯的经典之作《百年孤独》为例，分三个部分 深入探寻二者的魔幻世界，分析他们各自艺术世界的独特性。 第一部分主要分析两位作家如何运用假定性艺术形式在各自作品中构建其 魔幻世界。从而得知，虽然他们运用了不同的手法描绘，但都使得现实变得神奇、 虚幻。 第二部分主要挖掘两位作家的魔幻世界中不同的内部蕴含。通过对作品的分 析，得知：两位作家是在不同的心态下来描绘魔幻现实的。布尔加科夫违背当时 潮流，戴上疯癫的面具，用批判的眼光看待周遭的世界，思考超越时代的人类命 运问题；马尔克斯顺应时代发展，投身时代进程，思索拉美的命运和现代社会人 类的出路问题，成为时代理性的代言人。 第三部分主要分析二者魔幻世界的由来。主要从他们的家庭生活对个性的形 成，现实环境的影响，各自的文学传统三方面出发，梳理对他们的魔幻世界的形 成可能产生影响的一些因素。 经过这些比较，我们可以不断走近这两位大师，揭开他们的神秘面纱，更清 晰地认清他们的风貌。 关键词：布尔加科夫 马尔克斯 魔幻 假定性 4 ABSTRACT Both Bulgakov and Maruquez take suppositive forms in their novels to reflect the reality, which makes them look alike. In this dissertation, with The Master and Margarita , the last works of Bulgakov, and One Hundred Years of Solitude, the most famous works of Marquez, as examples, their magic worlds are deeply explored mainly by the use of textual analysis method, and the uniqueness of their artistic worlds is analyzed. The chapter one focuses on how Mr. Bulgakov and Marquez construct their magic worlds in their works in suppositive forms. It can be found that both of them, albeit in different ways, make the reality into a magic and illusive world. The second part intends to explore the inner philosophical meaning of their magic worlds. Through studying their works , we can see that they have thoroughly different attitudes to the magical reality. Wearing the mask of madness and looking the world all around critically, Bulgakov went against the trend of the times and thought extramundane questions on the fate of beings, while Marquez went along with the world as the rational speaker of