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水彩画的意蕴美——从气韵生动谈起论文
Abstract
The development of contemporary Chinese painting, is in the eastern and Western
cultureand the eastern and Western art theory, faced with the dual task of reference and
integration,I nheritance and innovation. How to learn from western art in order to enrich
the system ofOriental Art, how to inherit the traditional aesthetic thought, innovation of
Eastern philosophy of art, watercolor painting this painting is the subject of
national characteristics and aestheticconnotation has been paid attention to, can be said
that since the watercolor painting was introduced to China, the water color artist began to
study has been so far, and the studyseveral generations of watercolor artists have made
abundant achievements. In the creation of watercolor painting has also
introduced the concept of aesthetics implication and made to work to achieve the goal
of lively.
As a new generation of new youth in watercolor research, innovation is one of
the goals we must have, but to innovation, necessary for the first in-depth understanding
of traditionalphilosophy of art and traditional aesthetics. The esthetician Zong
Baihua when talking aboutthe art law of development, once said: the history
of the development of one step forward,one step back is often accompanied
by Tanbenqiongyuan. You this is all academic attitude,naturally including the field
of painting and aesthetics. From fifteen to sixteenth Century Renaissance ZT is the
ancient Greek art, at the same time the nin
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