汉语模糊美感在《水浒传》翻译中的磨蚀与保真.pdfVIP

国文字广为流传。然而对其模糊语言的翻译所进行的研究却很少。 因此，本文从语言模糊性角度出发并以接受美学为理论基础，分析了《水浒 传》在汉译英过程中模糊美感的磨蚀与保真情况。本文首先简略介绍了模糊语言 的定义，国内外关于模糊语言的研究情况以及什么是模糊美，模糊美的特征等。 然后，从接受美学视角具体分析了沙博理翻译的《水浒传》中对于模糊美的磨蚀， 并从民族心理原型、思维方式、审美意识等方面分析了其根源。然后，分析了译 文中模糊美的再现，并指出译者在翻译过程中再现模糊美所应具备的先决条件。 基于对沙博理所译《水浒传》中模糊美的磨蚀与保真情况，作者提出了对模糊美 进行翻译的三种方法，希望能对处理文学作品中的模糊美有所帮助。 关键词：模糊语言，模糊美，接受美学，《水浒传》，磨蚀与保真，翻译策略 II TheAblationandRetainmentofFuzzyBeautyinC-E TheAblationandRetainmentofFuzzyBeautyinC-E TThheeAAbbllaattiioonnaannddRReettaaiinnmmeennttooffFFuuzzzzyyBBeeaauuttyyiinnCC--EE TranslationofShuihuzhuan TranslationofShuihuzhuan TTrraannssllaattiioonnooffSShhuuiihhuuzzhhuuaann Abstract Abstract AAbbssttrraacctt There’s an Italian saying “Traduttore Traditore” which means that translation is treason. This statement precisely describes the dilemma in translation. Actually, translation is a cause that is filled with regret. Because of the significant differences of language, culture and history between Chinese and English, the translator can only enjoy the beauty of the original text by himself but can not reproduce it in the target text and make the target readers receive the same aesthetic enjoyment as that of the sourcetextreadersduringtheprocessoftranslation. Such kind of regret will be more obvious in the translation of fuzzy language. Fuzziness is the nature of language and it is also the common feature of all languages. In literary works, there are a great amount of fuzzy language which can transcend the aesthetic subject and the aesthetic object so as to enlarge the aesthetic space and get the aesthetic feeling. Although fuzziness is the common feature of Chinese and English, there are great differences in the means of expres