摄影的迂回与深入——《原·本》 作品阐释-detour and depth of photography - interpretation of the works of yuan ben.docxVIP

AbstractShanghaiNormalUniversityMasteroffineArtsAbstractWerelyontheparentscomebackwhendictationyears,lookingforpreciousbitoftimeintheendlesspassageoftherecall.JianzhiZhangZhangxincarryingaParting,witnessedthepassageoftime,andthethoughtsofthepast.Ithinksomepeoplerisefromthename,something.Thusthree-dimensionalthinmemories,vividup.Slowlyyellowingletterheadpaperthatweencounterinthepasthasbeen.Theoriginal.Thisgroupofworksisrelyingonletterheadpaperofthecarrier,theuseofdocumentaryphotographyofthisuniqueartisticlanguage,theuseoflargeformatphotographycamerafeaturestoDusseldorfschoolrecordnotionofobjectivityforguidance,withtheurbanlandscapephotographyinthenewterraineffectsphotographyasexternalmanifestations,includingmeltintothecopperplateengravingspresentationtemporalworldtodeconstructtherelationshipbetweenthepastandthereality.Fromthebeginningof1837,photographyboardedthestageofhistory.Photographycontinuouslyroundaboutatthehistoricalbackground,in-depth.Itisinaspiralmannerdeveloping.Fromthebeginningofthe1960s,thenewobjectivism,newterrainthoughtsphotographyhasinfluencedcontemporaryphotographycreation.Inmoderntimes,ablendofphotographyandothermediaindeepening.TheoriginalItisthisgroupofworksundertheinfluenceofthecreationofsuchthoughtscompleted,printmakingandphotographytechniquestogethercleverly,sothatworksbetterdeconstructsthetemporalrelationshipbetweenpastandpresent.Keywords:Letterheads;newobjectivism;PrintmakingII上海师范大学硕士学位论文目录目录摘要·························································································································IAbstract··················································································································II目录························································································································II第1章综述·········································································································11.1摄影艺术的迂回深入··································································