《等待戈多》的“荒诞性”研究-中国语言文学；文艺学专业论文.docxVIP

I I 摘 要 贝克特是荒诞派戏剧的代表人物，他的作品《等待戈多》通过荒诞的手法塑 造了离奇的人物形象，反映了西方文明社会的极度荒诞和人类的高度异化现象； 怪诞的语言形式与荒诞的主旨达到了高度的统一，使其成为了荒诞派戏剧的代表 作。这出戏剧是如此的怪诞，如此使人困惑不解，如此彻底地摒弃了佳构剧中的 传统的动人之处，却在不到十年的时间里进入了世界各地的舞台。《等待戈多》在 如此短的时间内所获得的成功，成为 20 世纪 50 年代一个令人惊奇的现象。到了 21 世纪的今天，我们再回头对《等待戈多》的成功进行审视，再次解读其“荒诞 性”的魅力所在。 第一章是《等待戈多》“荒诞性”呈现。《等待戈多》中的人物与外部环境， 人物之间以及人物与自身都存在荒诞现象。剧本的情节是片段的连接、结构上是 一种循环结构，剧本的语言也失去了传统的叙事性和交流功能，成为“荒诞性” 的一部分。 第二章是《等待戈多》“荒诞性”的悲剧意蕴。《等待戈多》的悲喜剧结构中 蕴含的更是悲剧性。这种悲剧性不同于传统的悲剧理论，呈现出新的特点，但本 质上确是对传统悲剧精神的回归。 第三章是《等待戈多》荒诞手法所蕴含的审美品格。对荒诞的概念进行美学 上的解读，首先探讨美学中的荒诞概念演变，接着从内容与形式两个方面对荒诞 手法的美学特征和美学本质进行深入分析。 文章的结尾总结了《等待戈多》“荒诞性”在探讨人类生存状况的努力中所承 载的悲剧意蕴和审美品格，使得《等待戈多》获得了巨大的成功，成为了荒诞派 戏剧的代表作。 关键词：荒诞；《等待戈多》；存在主义 II II Abstract Beckett is the typical writer of the Absurd , hes waiting for godot through the absurdity of the shaping of the bizarre character image, reflects the extreme absurdities western civilization and the height of human dissimilation, grotesque forms of language and absurdity to achieve a high degree of unity of purpose, be the absurd masterpiece. This play is so weird, so that people, so thoroughly puzzled the traditional is abandoned the moving, but in less than a decade into the world stage. As in the theater of absurd esslin of notes: an absurd theatre in such a short time of our era, is still the most amazing phenomenon in one of the page. The first chapter is waiting for godot absurd. Waiting for godot characters and the external environment, and with their own characters between characters are absurd. The script is sections of the structure, it is a cyclic structure, the script language also lost traditional narrative and communication function, and become part of absurdity. The second chapter is absurd tragedies. Waiting for godot structure contains the offensive is tragic. This tragic different from the traditional theory of tragedy, and presents a new features, but the essence of traditional tragedy regression. The third chapter of the content is absurd contains aesthetic character. To absurdity