《浮生六记》三种英译本对比研究-英语语言文学专业论文.docxVIP

万方数据 万方数据 offered precious criticism to the paper, and his erudition of academic knowledge has encouraged me to pursue academic excellence. I also wish to sincerely thank many others who have contributed their time, thoughts, skills and encouragement to this thesis. Particularly, I would like to acknowledge my indebtedness to all the teachers in SISU who have instructed me during the past two and a half years, whose profound mastery of academic knowledge as well as great responsibility towards teaching and researching enlightened me greatly. Furthermore, I’m also grateful to my friends, roommates, and classmates, who have shown much consideration for my composition and provided me with invaluable materials. The happy memory I share with them will last forever. Finally, I wish to avail myself of the opportunity to express my gratitude to my family for their never-ending love and consistent support through these years, without whose affection this thesis could not have appeared in its final form. 摘要 从文化翻译的视角来看，翻译的本质是文化转移，这一点在文学翻译中尤为 突出。《浮生六记》是一部中国传统的文学著作，它负载了丰富的文化信息，非 常适合从文化翻译的视角来解读这部作品，以期探究译本背后隐藏的文化翻译策 略。《浮生六记》共分四章，记述了清朝作者沈复的一生，最初由林语堂先生于 1935 年将其翻译为英译本，在六十年代初期，英国汉学家布莱克也对此书进行 了翻译，在八十年代，白伦与江素恵携手进行了重译。 为了克服文化翻译中固有的文化壁垒，不同的译者采用了不同的文化翻译策 略。作者提取了三种译本的文化负载词进行重分类，加以横向比较研究。总体来 说，林语堂先生的译本忠于原文，旨在向西方传播中国传统文化，白伦与江素惠 的译本则是为了满足更多西方人深入了解中国文化的需求，他们在忠实于原文的 基础之上，增加了不少文化注脚。而布莱克的译本则对原书进行了大规模删减及 改编，以符合西方人的审美心态。本文作者探索了在不同翻译目的的引导之下， 不同的译者相应采取了怎样的翻译手段，以期为今后翻译中国古典文学著作提供 更好的文化翻译策略。 关键字：浮生六记；对比；文化负载词；翻译动机；翻译策略 Abstract From the perspective of cultural translation, translation is culture transfer in nature, which is especially evident in literature translation. Fu Sheng Liu JI, as a piece of renowned culturally rich literary work, can be studied from such perspective. Written by Shen Fu in Qing dynasty, Fu Sheng Liu Ji is an autobiography covering different aspects of Shen Fu’s life. It was translated first by Lin Yutang in 1935. Later, Shirley M. Black, a British writer, translated it at the e