曲高不一定和寡——由廖昌永的演唱艺术得到的启示-the song is not necessarily high and few - enlightenment from liao changyongs singing art.docxVIP
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曲高不一定和寡——由廖昌永的演唱艺术得到的启示-the song is not necessarily high and few - enlightenment from liao changyongs singing art
中文摘要
中文摘要
美声唱法①起源于欧洲,最早产生于17世纪的意大利,随着文艺复兴末期歌 剧的产生,这种唱法也日趋完善。它最早传入中国是在20世纪20年代,发展至今 已有近百年的历史,但很多观众还是存在这样的观念美声唱法“曲高和寡”, 总觉得美声唱法是阳春白雪,离老百姓的生活很远,百姓也听不懂这种“象牙塔” 里的音乐。大多数非专业人士更容易接受的是民族音乐或者流行音乐。随着社会 的进步和人们欣赏水平的提高,以及美声唱法在中国的日趋完善,越来越多的人 开始关注它,并逐渐去接受它、喜欢它。在我国有很多歌唱家对于美声唱法的理 解及演唱越来越成熟,使人们逐步意识到“曲高”未必“和寡”,它同样可以被 百姓接纳、喜欢,这种音乐同样可以深入群众,打动人心。男中音歌唱家廖昌永 就是其中的典型代表。
文章将从以下几个方面对廖昌永的歌唱艺术“曲高”未必“和寡”这一 观点进行论述:首先:简述美声唱法在中国的发展脉络;然后:对廖昌永的艺术 道路进行分析;其次:廖昌永做到“曲高”未必“和寡”的原因;再次:从廖昌 永演唱的中外作品及流行作品方面进行论证;最后:由廖昌永的成功引发笔者的 一些思考;结语:总结全文,展望美声唱法在我国发展的美好前景。
关键词:美声唱法 廖昌永 演唱艺术
① 笔者认为“美声唱法”的提法并不准确,作为学术论文用原文 Bel canto 更严谨,文章中采用“美声唱 法”一词,只是为了便于文章语言的流畅,特此说明。
Abstract
Abstract
Bel Canto originated in Europe, originated in 17th century Italy, the production of the opera with the late Renaissance, this singing is also maturing. It was first introduced into China in the 20th century, 20 years, development has been nearly a hundred years of history, however, there has been a lot of viewers this idea Bel Canto highbrow, bel canto is a highbrow always felt, from the common people life is very far away, people also do not understand this ivory tower where the music. Most non-professionals is more acceptable to folk music or pop music. Along with social progress and people appreciate the level, and the Bel Canto maturing in China, more and more people are concerned about it, and gradually to accept it, love it. There are many in our understanding of bel canto singers and singing for more mature, people gradually realized that Music High may and few, it can also be accepted by people like this kind of music can also be among the masses, filmmaking. Baritone Liao Changyong is one of the typical examples.
Articles from the following aspects of the Liao Changyong of music Music High may and few expounded this view: First of all: Chinas development outlined in the context of the bel canto; then: the art of the Liao Changyong analysis of the road; Second: Liao Changyong do song high may not and few reasons; again: from the Liao C
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