超验:都市里狂想曲——论二三十年代海派文学超验叙事-transcendental rhapsody in the city —— on transcendental narration of shanghai literature in the 1920s and 1930s.docxVIP
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超验:都市里狂想曲——论二三十年代海派文学超验叙事-transcendental rhapsody in the city —— on transcendental narration of shanghai literature in the 1920s and 1930s
华
华 中 科 技 大 学 硕 士 学 位 论 文
V
V
Kumarajiva、Magic. Ye Lingfeng, known as“Beardsley of China”, whose
aestheticism novel had demonstrated the metropolis transcendental narration achievement in Jiulvmei、Mojia de shitang, Luo Yan. Xu Xu, having a profound philosophical and psychological background, combined the seek of life philosophy and illusion together. He united recreational and philosophical elements and set a good example of the success of commercial and literatural perspectives. Wu Mingshi, whose representative work was Wu Ming Shu created works for the true meaning of life. His writing process was the process of transcendental narration.
Mystical, weird imagination and illusion, is the common natural aesthetic way of transcendental narration to Shi Zhecuns. They broke the role of aesthetic targets, aesthetic dimension and narration way and opened a window of displaying the abundant humanity. Different from the traditional planar writing skill, such novels combined the history and modern, reality and illusion, in this way, they opened up new aesthetic connotation. The anew narration method and aesthetic way is of great importance to Shanghai school literature, has the vital significance regarding modern literature writing in China.
Key words: Shanghai school; Transcendental narration; Oriental characteristics
I
I
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1 引言
从 20 世纪 80 年代以来,针对海派文学展开的研究逐渐成为新的学术热点,并取 得了众多成就。其中,对海派文学的地位及价值的重新认识和定义,引起了人们对海派 作家作品的关注,以至达到风靡一时的程度。
纵观各位前辈在研究海派作家及其作品方面的成果,对海派文学在近代文学史上的 “开风气”作用及其先锋意义的肯定和评价,是研究中颇受关注的焦点:
吴福辉在《都市漩流中的海派小说》中,开篇即声明意图“为海派文学正名”。作 为“即时运转新的外来文化”、“立足现代商业文化”、“站
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