从翻译诗学角度看《卜算子》 翻译中三美论的体现-外国语言学及应用语言学专业论文.docx

ACKNOWLEDGEMENTS The completion of this thesis would not have been possible without the encouragement, the guidance, and the support of many other people. First of all, I would extend my sincere and heartfelt thanks to my supervisor Professor Ji Dequan, who has given me valuable suggestions and insightful comments in the thesis writing. She has also spent much time going through brainstorming with me, put my work on the right track, read in great details every draft of every section of this thesis, and helped improve the appropriateness of English used. My gratitude to Professor Ji Dequan knows no bound. I would like to express my sincere gratitude and heartfelt thanks to my parents who have been giving me constant support and love all over the years. They have been supporting me when I am disappointed. Their love and constant support are the source and motivation of my studies. Their unfailing support and love throughout my university study make me stronger. Special thanks also go to my friends for supporting me for all those years. Besides, special thanks also go to many teachers who help me with my studies and teach me lessons. I Abstract Chinese poetry is the essence of Chinese culture and Chinese poetry translating has always aroused general concern. When translating Chinese poetry, poetic elements like rhyme, rhythm, image, poetic language, etc. should be taken into considerations to achieve aesthetic effects. According to Andre Lefevere?s manipulation theory (also known as rewriting theory), there are three factors influencing translating: ideology, patronage and poetics. In Andre Lefevere?s opinion, dominant poetics manipulates translating and translating should conform to the dominant poetics. The thesis aims to analyze the translation of Busuanzi from the perspective of poetics in manipulation theory. When translating Chinese poems into English, it should be conducted to conform to western dominant poetics and Chinese poetics, which means that the poems ha