传播学视野下的赵本山小品研究-传播学专业论文.docxVIP

传播学视野下的赵本山小品研究 摘要 赵本山的小品，一直是大众关注度很高的节目，连续十余年获奖，他本人也 成为家喻户晓的“小品王”。近年来，对他小品的评价褒贬兼有，赵本山的小品 作为当代中国一种文化形态，其流行的原因、与社会语境的互动以及它与同时期 其他艺术形式的异同值得研究。 观看赵本山的小品，可以发现宏观的传播环境——国家的发展、社会的变迁 都在这里得到一定的呈现。从赵本山小品 1990 年第一次登上春晚到 2010 年的演 变历程，某种程度上见证了中国社会的变化发展，伴随着社会情境的变化，赵本 山的小品也在展现着时代的精神和面貌。 赵本山小品的母体是东北的二人转，来源于民间艺术的赵本山小品能够走出 铁岭，走出东北，登上央视的舞台，成为家喻户晓的节目，赵本山本人也成为大 众喜闻乐见的小品演员，除了小品本身的艺术魅力，不可忽视传播环境的影响， 其中包括政治层面的如国家意识形态；经济层面如市场的无形操纵和技术层面的 电视、网络传播；文化层面即象征团圆、欢乐的春节和作为新民俗的春晚对赵本 山小品的推动、影响和制约。 除了纵向上通过一定时间段对赵本山小品与社会语境的互动进行研究，本文 还从横向进行多角度分析研究，例如赵本山小品与同是东北小品的潘长江、巩汉 林小品的比较研究，赵本山小品与赵本山主演的电视剧、电影的比较研究以及赵 本山小品与近年兴起的湖北小品的比较研究、赵本山小品与其母体“东北二人转” 的比较研究等多角度，对其进行横向上的探讨，以求从多维的视角对赵本山小品 进行全面的审视。可以为人们认识与理解当下社会文化运行提供新的视角，更好 地发现中国文化发展的运行机制和内在逻辑，对于和谐社会的文化建设有一定的 现实意义。同时对于“赵本山小品”这一相关问题的研究有着重要的理论参考和 借鉴价值。 关键词：小品；语言符号；比较； Abstract Zhao Benshans Essays, has been under the public concern for a long time, and he also became the well-known Essay king more than ten years. In recent years, the evaluation of his essays has a big difference. The reasons for Zhaos essays as a form of culture of contemporary China, the interaction with social context and the relationship with the other art forms of the same period are worth to be studied. In Zhao s works , the development of the country and social changes are presented. Since the first show in the Spring Festival of 1990 and the last show in 2010, his works show the development of Chinas social changes, and with these changes, Zhaos essays also show the progress of the times. Zhao’s Essays originated from the “er ren zhuan”, it walks out of Tieling and northeast of china Become a well-known program,, and Zhao himself has become a popular person. Except their own charm, the influence of propagation environment can not be ignored, these include politics, such as a national ideology; economic aspects such as market manipulation and the technology aspects of television technology and network communication; Of course the Spring Festival which is a symbol of happy, has a big influence and con