蒋志鑫西部山水画艺术特征及其现实意义-美术学专业论文.docxVIP

内容摘要： 蒋志鑫，出生于中国大西北的一位画家，画家对于这片养育了自己的热 土有一种与生俱来的深深眷恋。他以自己对西部山水特有的情感，以对艺术 的虔诚，执着、严谨的态度，从上世纪的 80 年代初便奔走于甘肃、青海、 新疆、山西、宁夏、内蒙、亚丁、川藏、香格里拉等地进行艺术实践，画黄 土高原、牦牛、雪山、黄河、胡杨林等等，以大写意的手法去表现中国西部 这块神奇的地方，作品形成了独特的艺术面貌，以长笔大墨的大写意手法而 就的西部山水作品，粗犷凝重、深邃雄浑、气势如虹、震撼心灵、耐人寻味。 蒋志鑫始终以自己对故乡的满腔豪情和对于艺术的执着，在不断的进行着艺 术实践、探索，在古典向现代相兼相容的转化过程中，勤奋的进行着西部山 水艺术的尝试，有成功也有失败，对于他自己来说在继前人的基础上迈出了 可喜的一步。以其勤奋刻苦的艺术实践推动着西部山水画的发展，呼唤着雄 强艺术传统的复归。从战略意义上来讲，他的艺术实践对于中国山水画的发 展具有积极意义。 关键词： 蒋志鑫 西部山水画 艺术特征 现实意义 Abstract Mr. Jiangzhixin is a professional landscape painter who was born in northwest of China , and he has born love for the magical northwest where he grown up. With overwhelming passion for hometown and religious attitude for art, he has been engaging in artistic practice in Gansu province, Ningxia province, Shanxi province, Xizang province, Xinjiang province since 80th in 20 century. He takes plateau, yak, snowmountain, yellow river as the subjects of his traditional Chinese painting of landscape. He draws in a bold and unconstrained form of northwest landscape, forming his unique art character. Mr. Jiang has made constant practice and exploration in the transition from classical style to modern one in the research of the traditional Chinese painting with western mountain style which characterised with enthusiasm and confound connotation. Although he experienced success as well as failure, but he marched a significant step on the basis of his early generations. With ardent research for the art development of the traditional Chinese painting with western landscape style, he recalls the returning back of majestic art tradition. His art practice plays a active role for the development of traditional Chinese painting in the strategic angle . Keyword: Jiangzhixin northwest landscape artistic character practical significance PAGE PAGE 1 绪论 随着现代化进程的加快以及西部大开发战略决策的提出，相对封闭、 落后的西部越来越受到人们的关注，尤其是受到美术界的关注和追逐，西部 美术受到前所未有的关注，以西部为题材的作品层出不穷，以关注西部的各 种艺术研讨会也如火如荼的进行着。“西部美术” 也成为一个重要的讨论话 题。“西部美术”作为一个大地域艺术概念的提出，