回纹纹样在现代中式家具设计中的应用研究-工业设计工程专业论文.docxVIP

摘要 摘要 万方数据 万方数据 摘 要 千百年来,传统纹样作为祖祖代代华夏儿女的的精神意识、审美内涵、精神 象征等信息的载体，己经变成了我国特有的文化积淀和艺术符号,渗入到了我们 身边的各个领域。在我国有种类繁多的传统纹样,回纹纹样是其中最具代表性的 纹样之一,它本身具有独特的造型和浓厚的美学层面的意义。 回纹最开始常常作为青铜器的纹样出现，也被当做边饰较多地的运用在各 式器物、丝织品和各种工艺品的表面，回纹纹样的装饰语言不仅是装饰艺术中 富有特色的图形符号，也是视觉表现的主要元素。其规则、庄严而又具有韵律 感的图形形式传达出了中国传统文化中深刻的人文精神。回纹纹样以其独有的 形式美成为了一种具有丰富内涵的传统艺术符号。所以对其视觉语言进行深入 分析研究，对我们民族传统装饰艺术的传承与发展有着十分重要的现实意义。 本文通过了解回纹纹样的历史演变和发展现状，并结合其传统意义和其在 现代家具设计中的应用，找出回纹纹样在现代家具设计中的特殊意义,结合现代 设计理念和现代人们的审美特征,提炼出回纹纹样的设计元素,运用现代新型材 料和工艺,应用到现代家具设计中,设计出一套具传统意义又有现代特色的回纹 纹样中式家具。 关键词：回纹，符号，美学特征，视觉语言 II Abst Abstract Abstract There are a wide variety of traditional auspicious patterns in our country,and one of the most representative patterns is back to the grain patterns, it itself has a unique shape and a strong meaning of aesthetic aspect. For thousands of years, the traditional auspicious patterns as a spiritual consciousness of the numerous generations of Chinese people, aesthetic meaning, spiritual symbolism and other information carriers, has become Chinas unique accumulation of culture and artistic symbol, permeate every field of our life. In ancient times, back to the grain are widely used as a kind of art symbol, as bronze pattern, likewise it mainly used as edging in kinds of artifacts, the surface of the silk and various crafts, the decoration language of back to the grain patterns is not only a distinctive adornment art graphic symbol, is also the main elements of visual expression.. Its rules, solemn and the sense of rhythm graphic form convey the profound humanistic spirit of Chinese traditional culture. Back to grain pattern with its unique form beauty become a rich connotation of traditional art symbols. So to carry out the deeply analyze of the visual language studies, make great practical significance to the heritage and development of our national traditional decoration art. From the perspective of modern design art, It’s very necessary for us to re-examine the enlightenment and guiding ideology what the ancient art of fr