论文学镜意象中的“我”-中国语言文学;文艺学专业论文.docxVIP

lUl lUl I I II I i lU t l 111 1 11l Y1 923 1 79。 摘要 镜意象作为文本中灌注作者情感的意象，不计其数，每个都蕴涵了某位“我 的意蕴与精神。它由古至今承载着人类的智慧以及人生哲学，历来为学者阐发和引 申。本文在广泛解读中西文本中涉及镜意象实例的基础上，有角度、递进式地展示 了文学镜意象中的“我”。从文学镜意象中微观的“我入手，逐一聚焦整个人类面 对的根本问题：自我意识问题、情感困境问题、存在意义问题等。在此过程中，挖 掘中西文学镜意象中的“我”的独特性，逐渐建立起感性的基本认识，并以此为基 础厘清不同的“我的相通之处，探讨求解人类根本问题的可能。 从发现并运用镜意象开始，人类对自身的存在有了初步认识；在镜意象的逼真 复制里，人们进行好奇的探索，滋生出种种情绪：对时空留恋、将往昔追忆。镜意 象具有神秘的不可知性，从中人类对于超自然产生了无限向往；反观自身，拉康提 出了“镜像理论，康德、黑格尔、叔本华也深刻地对自我进行反思。进而人类敢于 在镜意象罩直面自我、正视自我，理性地清醒于自身共通的虚荣：自欺、自恋，并 以“自省的方式全面地认识“我’’。作为被学者们深入解读的关于“风月宝鉴之 色空哲学的故事，《红楼梦》中还有大量的镜意象，自我的蕴藉从中可见一斑。“我’’ 之情感亦与镜意象紧密相关：从萨特的存在主义哲学出发，洞察其与爱情、谎言、 死亡的关系，进而逼近人类情感的困惑，追问生存困境的解决之道。因此，人类苦 苦寻求自身身份，提出了“善一的道德标准，庄子的处世之道不失为现成的理论基 础：德性的体现更在乎心灵的涵容，心如镜般圆明、虚静，必将使人类个体“小我 与群体“大我”的存在更诗意自由。总之，文学镜意象中的“我不仅是感性力量 的凝聚，而且是充满理性认识与超然追求的崇高灵魂。 关键词：镜意象 自我存在 AbstractAbstract Abstract Abstract As the imagery been perfused with authors’emotional in text，the images of mirror are countless，each of them contains some one’s implication and spirit．Since the ancient times，the image was bearing the human wisdom and philosophy of life，which has always been elucidated and extended for scholars．Through an extensive reading method， the thesis analyses the image by examples of Chinese and western text，reveals the ego of the image of mirror in literature in comprehensive angle step by step．Start from various types of ego of the image in the literature,focus on the essential issues such as self-awareness，puzzle of the emotion，meaning of the existence one by one．The thesis dug the uniqueness of each ego in this process，gradually building up their basic cognition．And on this basis clarified the various ego network to find the possibility to solve the essential issues of human beings．Started from the discovery and using of the image，humankind preliminary understood their own existence；people explored in the image lifelike copying,which brought the cherish of time and space and the past memories．Through mysterious and unknowable of the image expressed human yearni