列斐伏尔空间理论视角下对《耻》的研究-英语语言文学专业论文.docxVIP

i i Acknowledgments I would like to show my gratitude and love to those who have helped and supported me in my thesis writing. First and foremost, I really thank my supervisor Professor Guan Rongzhen. The precious and sincere advises given by her changed my attitude and study approach to this thesis. I cannot imagine without her appearance in my life, how dismal I will feel. I also feel grateful to all the other teachers in the Foreign Language College for their precious suggestions and instructions which benefited me a lot in my study and research. Miss Huang Yiwan is like a sister to all graduate students, patient to solve the problems I met in life and study, and never complaining about how late she has to work alone in the department. No matter where I am, I will never forget their support. Finally, I would also like to express my thanks to the care and love from my parents and close friends. They are my eternal support without hesitation. When I lost my direction in life and study and felt confused about uncertain future, they would always illustrate the confusion as a necessary stage to everyone with their own experiences. ii ii 摘 要 《耻》是当代南非白人作家库切的作品。《耻》立足于南非社会，反映了在社会转 型的年代，南非社会种族、性别元素的变迁和重组，以及在这个大背景下人类精神的苦 旅和对自由的追求。 本文从列斐伏尔的空间理论的视角出发，通过文本细读，以空间的生产为线索，探 究空间的文化和社会内涵，研究在新的时空背景下的南非，物理空间和社会空间的迁移 改造给南非人民带来的精神洗礼。 物理空间的迁移，入侵和建构体现了人物承受的种族和性别的双重压迫。在社会空 间中，白人殖民文明崩溃伴随着种族和性别层面呈现出的双重反抗。在心里空间中，生 存困境使内心产生了复杂多面的情绪。内心的选择帮助他们通过自我救赎和调整战胜生 存困境，将苦难转化为发展的机遇。 本文的创新性在于在空间方面打破传统的宏大叙事和二元对立，转而关注普通人并 且深度探究了空白和沉默存在的空间意义。另外，本文用三条主线勾画出复杂的人物内 心世界的变迁，指出人物内心的选择是化解矛盾的关键。 关键词：物理空间；社会空间；心理空间；内心的选择； 矛盾 PAGE PAGE iii Abstract Disgrace is one of the masterpieces of Coetzee, a contemporary white writer of South Africa. It roots in the society of South Africa, presenting in social transition, the disruption and reconstruction of racial and gender elements and also characters? psychological journey of trauma and pursuit of freedom under this macro-social background. This thesis chooses the perspecti