论数字插画的美学追求-美术学专业论文.docxVIP

摘要 摘要 万方数据 万方数据 摘要 早在公元前 6 世纪以前，中外许多思想家、哲学家就已经开始在探讨美、 美感和艺术现象，意图揭示人类的艺术创作和审美活动的本质规律。在十八世 纪的欧洲，“实验美学”热，试图从具体的事情，发现美的本质，从而给我们一 种美的展示。美是人们产生快乐、满足、兴奋等感觉的原因，是人们通过反复 思考和探寻产生美的原因。它是一种具体事物的组成因素，试图从具体的事物 中探索和发现找寻有别于丑的事物，以此来彰显和界定美与丑的本质区别。在 当今这个数字时代里面，数字插画从大众的响应到数字传媒所产生的需求，直 接影响着媒介技术的发展和数字插画设计过程。我们必须密切关注媒介技术的 发展，媒体的存在形式以及当今美学的主流方向。因为它不仅决定了数字插画 的存在方式和发展前景，还直接影响着人们对于美学的进一步需求。我们研究 数字插画对于美学的追求，通过数字插画对于形式美、形态美、视觉美的追求， 从而提升为数字插画对于美再创造的感悟。以此来说明数字插画是我们当今绘 画中的一种时尚潮流，它顺应社会的发展而产生，我们必须追求美学中的审美， 来完善数字插画的良性发展。因为数字插画的发展不仅是一个文化的健康和性 能的扩展，更是一种时代的追求。 关键字：数字插画；美；美学；追求； II Abst Abstract Abstract As early as the 6th century BC, many thinkers and philosophers began to explore beauty, aesthetic feeling and art phenomenon, intention to reveal the essence of the artistic creation and aesthetic activity of human beings. In the 18th century Europe, experimental aesthetics hot, trying to from the concrete things, found that the essence of beauty, which gives us a display of beauty. Beauty is people produce a sense of happiness, satisfaction, excitement, etc, is people thinking over and over again and search for the cause of beauty. Form factor, it is a kind of specific things trying to explore and discover from specific things to find different from ugly things, in order to reveal and define the essential difference between beauty and ugliness. In todays digital era, digital illustration from the publics response to the demand generated by digital media, a direct impact on the development of media technology and digital illustration design process. We must pay close attention to the development of media technology, the form of the media and the mainstream of todays aesthetic direction. Because it not only determines the existence and development prospect of digital illustration, also directly affects the people, the further demand for aesthetics. We study the digital illustration for the pursuit of aesthetics, through digital illustrations for the pursuit of formal beauty, form beauty and visual esthet