二十世纪初--文革前水就墨人物画写实造型研究.docxVIP

摘要水墨人物画写实造型研究是一个具体而又宽泛的问题，它涉及传统人物画中“形神” 摘要 水墨人物画写实造型研究是一个具体而又宽泛的问题，它涉及传统人物画中“形神” 造型观的辩证发展，也涉及20世纪水墨人物画的写实性发展。 20世纪初至文革前，水墨人物画的变革在内部需求与外部条件的双方要求下轰轰烈 烈的展丌了，造型问题成为了双方争论的矛盾核心。对20世纪水墨人物画写实造型问 题的研究有利于我们从核心入手，深入研究西方写实造型对于水墨人物画的文化基因、 美学标准、造型意识、笔墨形式的影响。对水墨人物画写实造型从学习西画造型到重视 传统、注重笔墨等阶段，进行系统的梳理和分析，试探析水墨人物画写实造型形成的背 景、代表画家、造型演变发展和时代特征。并通过对水墨人物画写实造型的研究，探寻 其对西画造型的回应，以及对传统文化的继承与发展，总结其利弊影响。 、本文按照历史发展的脉络，对建国前以及建国后十七年写实水墨人物画写实造型的 发展进行细致的梳理，研究。特别是对中国画的几次论辨，50年代素描教学的造型讨论， 以及水墨人物画代表人物代表作品的造型进行分析，思考和梳理水墨人物画写实造型的 发展与演变。总结支撑造型移植、发展的结构要素，内在规律，以史为鉴，为寻找新时 代造型规律提供支撑条件。 关键词：中国画，水墨人物画，造型，写实，笔墨 AB AB STRACT As specific and broader issue，ink figure painting realistic modeling involves not only the development of the”form of God”in the traditional figure painting，but also the realistic development of ink portrait of the 20th century From the early 20th century to the beginning of Cultural Revolution，the change of the ink portrait took place vigorously at the request of the inside and outside factors．The issue about the modeling is exactly the heart of these contradictions．The study of Ink figure painting realistic modeling in the 20th century helps start from the and have deep analysis of how western realistic modeling affects the cultural gene of ink portrait，aesthetic standards，awareness of shape，and ink form． About the ink figure painting realistic modeling，there will be systemic arrangement and analysis from learning the westem painting to the emphasis of traditional ink painting，trying to analyze the background，representational artists，the development of modeling and characteristics of the times that shape it．And by studying the ink figure painting realistic modeling，an exploration is focused its response to the modeling of Western painting，as well the inheritance and development of traditional culture．Also，its pros and and effect will be summed up in this thesis． As diachronic study,this thesis will comb and analyze the historical development of ink figure painting realistic modeling before th