王童电影艺术研究.docxVIP

Abstract Abstract In 1982, Taiwan new movie movement. During this period, a group of outstanding director took many representative works. Than 60 s, the rise of healthy realism film, Taiwanese new film on the realism of aesthetic inquiry had greater progress. But in fact, going to the new film era, this kind of realism and criticism aesthetic spirit to fully implement. This progress not only in the movement of Taiwan new movie show the creation subject itself the awakening of subject consciousness, more importantly, in this new film reflects the local, the complex of the subaltern, awaken the native consciousness, let people to know the history of Taiwan. T’ung wang is one of the important director of Taiwan new movie period. T’ung wang most films are focused on the fate of the little people with little highlights big history, presents a unique art of time and space. T’ung wang most of the content of the movie has a strong tragic consciousness, art form, absurd with irony, metaphor, symbol of expression to present it. This article from the following several aspects to T’ung wang movies do comprehensive analysis: the first part first introduced the development situation of Taiwan new movie movement is roughly, then in time for clues, introduce the growing experience and creative trajectory T’ung wang director. Expectations of T’ung wang through this part of the reader and his works have a detailed understanding, for the following chapter discusses his works such as the theme of the groundwork; The second part according to T’ung wang director of image works to explore the characteristics of their works plays: the theme, characters and narrative structure. In this part, focuses on analyzing his trilogy of Taiwans contemporary history scarecrow, also known as the native trilogy banana paradise, silent hill, finally sums up all images T’ung wang works have in common: committed to depict the fate of the great age of small and medium-sized characters, director expressed de