北宋花鸟画“写生”观念对我创作的影响.docVIP

北宋花鸟画“写生”观念对我创作的影响  中文摘要  北宋花鸟画“写生”观念对我创作的影响 中文摘要 北宋时期花鸟画的“写生”观念是在对自然对象观察细致，了解其 自然规律的基础上，画家用艺术的手段再现自然对象的形体特征，从而 充分展示了对象生动活泼的自然美，以及这种美带给我们生命的感动。 我认为宋人的花鸟画推崇的是以自然为尺度，也就是把对象的自然属性， 自然的美放在第一位。这种“写生”观念把准确的观察方法、物象的外 形以及自然美的追求和对生命力的感受结合起来，使画家们注重写生时 在“形”的基础上对“神”的把握。在当前的花鸟画创作中很多人在强 调学习传统，强化个人风格的同时，忽视了向自然学习、向生活学习， 在创作中过分强调主体性，急于建立个人风格，而对客观世界和生活本 身深入观察、学习和研究得不够。还有一些画家到生活和自然中去也是 以相机代替画笔，浮光掠影，记录一些符号，使作品苍白乏味，缺少了 自然生活中的鲜活的生气。所以我们要重视写生，以写生作为创作的基 础。用宋人的“写生”观念结合自己的真情实感，去描绘自然，从而表 达现代人热爱自然，珍视生命和追求美好事物的愿望。  关键词：北宋花鸟画  写生 自然 生气  作  者：章一而  指导教师：黄 艾 I 北宋花鸟画“写生”观念对我创作的影响  英文摘要  Influence of Northern Song Dynasty’s Flower-and-bird Painting Concept upon My Own Painting Abstract The flower-and-bird painting of Northern Song Dynasty was based on painters’ close observation of the natural objects and their understanding of natural rules. They use the artistic approach to reproduce the physical feature of the natural objects and to fully demonstrate the vivid and lively natural beauty as well as the life touch brought by such beauty. In my opinion, painters of Song Dynasty took the natural property and natural beauty as their first consideration. Such sketching concept, which combines accurate observation, objects’ external shape, their pursuit of natural beauty and their understanding of life, attached much attention to the grasp of the shape and spirit. As far as the present flower-and-bird painting is concerned, a great many emphasize to learn from tradition and then form their individual style, but they have negelected to learn from nature and life, and thus lack sufficient observation, learn and study of the world and life. Even when observing life and nature, some painters are used to using cameras but not painting brushes to record some signs. As a result, their works usually show a lack of freshness and liveliness. To learn from them, we have to pay attention to scretching and take it as the foundation of our own painting. That is to say, we should guide ourself with the combina