浅谈当代水墨写实人物画教学体验.pdfVIP

method, the traditional way and the creation, but admit of no failing to lose traditional interest and charm, all of which deserve learning for the future creation, and are what the author wishes to be realized. Key words: Realistic wash paintings; Figure paintings; Modeling concepts ; Ink language III 万方数据 目 录 摘 要 ···································································································I Abstract ···································································································II 目 录 ··································································································IV 引 言 ···································································································1 一、 写实水墨人物画产生的因素 ···································································3 （一）社会历史的变革··········································································3 （二）现代美术教育体系的建立······························································4 （三）油画大规模的传入并确立地位························································5 二、 写实水墨人物画造型方式的转变 ·····························································7 （一）线描——中国传统白描·································································7 （二）素描——外来教学体系引进···························································8 （三）线性素描——中西方的融合···························································9 三、 造型与笔墨艰难的磨合兼容 ··································································11 （一）线描与水墨融合的实践································································11 （二）素描与水墨融合的实践································································12 （三）速写与水墨融合的实践·····································