笔触在中国当代油画作品中的作用——东方审美趣味性理解是本土艺术家对笔触审美价值的自然选择-the function of brush strokes in contemporary chinese oil paintings - the understanding of oriental aesthetic interest is the natural choice of local artists for the aesthetic v.docx

techniques and forms. The form should be in order to better express ones real feelings of art, rather than confining the ideological shackles and free expression. Chinese oil painting of strokes Oriental aesthetic taste are local artists aesthetic value of natural selection. Is the embodiment of the value of works of art.Keywords：stroke self aesthetic artistic value of emotional expressionThesis：Application ResearchIII目 录绪论....................................................................................................................................................................... 1第一章 中国与西方绘画中笔触的发展简述 ..................................................................................................... 31.1 西方油画中笔触的发展概述 ............................................................................................................... 31.1.1 油画笔触在油画中的涵盖和形式 ........................................................................................... 31.1.2 西方油画笔触发展的过程和特点及形成原因 ....................................................................... 31.2 中国画笔触的发展概述 ....................................................................................................................... 91.2.1 中国画笔触在中国画的中的涵盖和形式 ................................................................................ 91.2.2 中国画笔触发展的过程和特点及形成原因 ............................................................................ 91.2.3 中国书法对中国画笔触独特形式和审美观的影响 .............................................................. 12第二章 东西方绘画笔触之比较 ....................................................................................................................... 142.1 从作画材料分析................................................................................................................................. 142.2 从审美观和作画理念分析 .................................................................................................................. 152.3 中西方关于笔触在画面中不同作用 ...................................................................