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本土语言对于特色广场设计的启示——以云南景颇族目瑙示栋为例-enlightenment of local language on the design of characteristic square a case study of munaoshidong of jingpo nationality in yunnan province.docx

本土语言对于特色广场设计的启示——以云南景颇族目瑙示栋为例-enlightenment of local language on the design of characteristic square a case study of munaoshidong of jingpo nationality in yunnan province.docx

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本土语言对于特色广场设计的启示——以云南景颇族目瑙示栋为例-enlightenment of local language on the design of characteristic square a case study of munaoshidong of jingpo nationality in yunnan province

Abstract With the development of society,in the design of square ,in aorder to meet the needs of modern people to pay more attention to the diversity and constuct the interpersonal communication space,at the same time,more or less, different kinds of characteristic design of square played a certain role for the region of cultural,but because there are many overlooked the use of mainland element in the feature square design,can not meet the characteristics of square design.first of all ,This article put forward the issues that lack of mainland element in the design of square,and then , take Manau Shadung for the case and analyzed it,not only advance the value of the mainland element,and then , through the analyzed of the Manau Shadung which is an original form of square,from its decorative features, dimensional form and the meaning behind the symbol and other aspects,then present its inspiration for the feature square design,and ultimately, to find a feasible way for modern design of public space and have a great significance for communicate and development of the region of cultural ,and to meet the feature square design and the desire of manifold element . Key words: mainland element; square design; Manau Shadung; spirit gathering; inspiration. 云南艺术学院硕士学位论文 目录 引言„„„„„„„„„„„„„„„„„„„„„„„„„„ 1 1 广场的组成要素及出现的问题„„„„„„„„„„„„„„ 1 1.1 广场的组成要素„„„„„„„„„„„„„„„„„„„„„„„„ 1 1.1.1 广场的现状„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„ 1 1.1.2 广场的组成要素及形成原理„„„„„„„„„„„„„„„„„„„„„„„ 3 1.2 广场设计中出现的问题„„„„„„„„„„„„„„„„„„„„„ 5 1.2.1 广场发展盲目,缺少对本土语言的表达„„„„„„„„„„„„„„„„„„„ 6 1.2.2 广场特色化危机,忽略了个性化的建设„„„„„„„„„„„„„„„„„„„7 1.2.3 广场的设计中照搬传统元素,很难融入现代公共空间和人群„„„„„„„„„„8 2 以景颇族目瑙示栋为例对于本土语言的认识„„„„„„„„„9 2.1 目瑙示栋是本土语言的一种表现载体„„„„„„„„„„„„„„9 2.2 目瑙示栋的认识„„„„„„„„„„„„„„„„„„„„„„„ 10 2.2.1 目瑙示栋的表现形式„„„„„„„„„„„„„„„„„„„„„„„„„„11 2.2.2 目瑙示栋的象征意义„„„„„„„„„„„„„„„„„„„„„„„„„„12 2.3 目瑙示栋形成的广场的方式和围绕其产生的活动„„„„„„„„„14 2.3.1 目瑙示栋广场形成的方式„„„„„„„„„„„„„„„„„„„„„„„„14 2.3.2 围绕目瑙示栋的活动„„„„„„„„„„„„„„

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