《赤壁赋图》绘画母题的黄金时代-美术学专业论文.docxVIP

Abstract “ Ode on Red Cliff ” painting motif in the traditional Chinese painting theme traditional constitute an integral part of the painting. This paper attempts to through to the “Ode on Red Cliff ” painting motif of exploration, actually in some degree of China is introduced and the south song dynasty rulers in the period of the comb. More from a level considered, and the south song dynasty rulers is in both their political environment and factors concerns, will happen to coincide in both sides of the lift a Su Shi such a character, and carry on the rehabilitate righted, to celebrate. In the ascent of Su Shis position and after a most direct evaluation consequence is that lead to this period in the arts of the “Ode on Red Cliff ” painting motif of the golden age of appear. The “Ode on Red Cliff ” painting motif of the golden age appear in this period, not only because there appear a large number of “Ode on Red Cliff ” paintings, more in all kinds of “Ode on Red Cliff ” painting whether in painting the form and content have been expanded and extended the “Ode on Red Cliff ” painting motif. In the specific research method, this paper on the one hand will hold the image itself, the image is the study of observation, analysis,, research the image visual information. On the other hand, only to image the research is also a one-sided, can cause ambiguity, especially in the style of painting not accurate grasp of the premise. So based on the analysis of the image of in the meantime also will notice between the ode on Former and latter Red Cliff images and ode itself. At the same time, each carry out “Ode on Red Cliff ” research, to clear up the first two dynasty will within their respective collection is representative of the “Ode on Red Cliff ” painting, followed by two dynasty to the between “Ode on Red Cliff ” painting are compared. It is in the image of the continuous process more, the image itself hidden the problems between the image as the problems will gradually