朝向根本破灭的冲动——艺创作中的一种精神现象-the impulse towards fundamental disruption —— a spiritual phenomenon in artistic creation.docxVIP

摘要 摘要 I I 摘要 在文艺创作中，存在着一种特殊的精神现象——朝向根本破灭的冲动。在中 西文艺作品与美学理论中都是不可否认地存在着。凡追求美必将遭遇美的破灭这 一不可避免的主题，追求艺术的独创性和可能性必须承担破灭带来的代价，以往 的理论多回避破灭，强调美感的明亮面，却仍无法摆脱破灭的阴影。这种冲动主 动明确地朝向破灭这个主题，通过对破灭的深入理解，发现破灭自身蕴含的决定 性的力量，冲动由此获得巨大的爆发力，但由于破灭的自我反复和相互抵消，冲 动无法获得持久的生命力。在此基础上，提出“根本破灭”这一概念，它有死亡， 绝望等诸多表现形式，最重要的是它的确定性背后未知的力量，这种力量可以被 感知确实存在于艺术巨大的空白中，却又未被定形和表现，艺术因此具有无限的 可能和生机。“根本破灭”乃是艺术生生不息的来源和动力，它以强烈的自我否 定意义和主动朝向未知的至诚态度，以疯狂的自我表达和不为破灭所动的耐心和 坚定达到了自身的不朽，带有这一冲动的艺术通过自我牺牲成为了最伟大的艺 术。 关键词： 根本破灭，冲动，精神现象，不朽 Abs Abstract II II Abstract There is one special kind of impulse existing in artistic creation, the impulse towards the ultimate destruction. Undeniably, this impulse exists in greatest artistic works from both eastern and western world, as well as in the theories of aesthetics. Every single approach to esthetics will inevitably encounter the destruction of esthetics. So during the pursuance of innovation and greatness of art, artists have to bear the ultimate destruction at any price. The word ‘perdition’ was carefully avoided in previous aesthetics theories by emphasizing the brightness of esthetics. However, they hardly escaped from the shadow of aesthetic destruction due to its omnipresence. The inadequacy for previous aesthetic theories to face the idea of ultimate destruction leads to the active pursuit of the understanding and mastering of ultimacy of destruction, in which lies the ever-lasting vigorousness and decisiveness. Due to the repetition and contradictoriness of destruction, mastering ultimate destruction as a tool in technical detail is hardly achievable so far. Therefore, the huge blank behind the ultimate destruction leads to various possibilities in artistic creation. These might be the never-ending power and sources to nourish art. The ultimate destruction accomplishes its immortality by means of self-denial. In other word, through this kind of self sacrifice, those extremely impulsive arts had become the greatest master pieces. Key words: impulse, perdition, mental phenomenon, athanas