电影表演:情绪、情感的艺术-电影学专业论文.docxVIP

电影表演:情绪、情感的艺术-电影学专业论文.docx

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电影表演:情绪、情感的艺术-电影学专业论文

II II ABSTRACT Performing arts in the film have formed a new branch of the performing arts after the birth of film art .Although the film has made significant progress in technology and art, the young art always has its imperfections. Such deficiencies lead to some problems for the theory of film performing arts in guiding practice and wide use. Psychology is the study about laws of human mental activity, and the realization of film performing arts also depend on people (movie actor). The common carrier is the opportunity for interdisciplinary integration between those two subjects. Firstly, when the film actors perform, they perform the change of characters and the relationship between the characters in script; and the change of characters and the relationship between the characters embodied in the change of characters emotions, feelings. Secondly, emotions and feelings are the name of psychology, which own features of available performance, control and memory. This paper has researched the role of feelings and emotion of actors by analyzing the entire film-making process. Thirdly, found that emotions and feelings as material and link that actively participate in creating, which throughout various stages of film actors shape characters in the film performance and play a crucial role in the logic of art. From the original script create movie and writers create characters on paper to the understanding of a movie actor to the script, shape the screen character by experience and exemplification, the director shape the screen character by supervising and modifying actor and produce the final screen character by editing. Prompting actors form a complete chain structure of emotional, emotional in the performance, and finally pass to audience and form the self-improvement phenomenon that mechanisms of feedback and evaluation re-effect the film performance. To conclude that: The creation of various aspects of the characters, including the transfer of part of the audience i

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