从音乐剧的演唱特征研究美声唱法在音乐剧中的运用-音乐与舞蹈学专业论文.docxVIP

音乐剧产生于 19 世纪末，是一门极具综合性的新型舞台艺术形式，它将音 乐、舞蹈、戏剧等多种艺术形式融为一体,使艺术元素达到了高度的融汇性、整 体性，也使舞台效果达到全方位的立体化。欧洲歌剧中深厚的西方文化底蕴，以 及近代西方对于歌剧与戏剧整合的艺术探索，为音乐剧的诞生提供了重要的西方 传统文化根基，并在戏剧内容、表演程式、艺术语汇等方面，为音乐剧创作提供 了源源不断的创作灵感和艺术借鉴。尤其在唱法上，音乐剧借用了大量美声的发 声方法和声音概念，注重气息的控制、清晰的吐字、喉头的打开、声音的共鸣等 技巧，演唱的形式分为独唱、重唱、合唱等。 本文主要着重于从美声唱法在音乐剧演唱中的运用这一角度分析音乐剧的 演唱特征。论文分为三个章节，第一章主要是对该课题的研究背景及国内外的研 究现状进行简要归纳分析；第二章主要是对音乐剧及美声唱法进行概念上的阐述 以及美声唱法在音乐剧演唱中的重要性与必要性；第三章则是进行大量的实例论 证研究。 本人学术知识尚浅，这篇论文也仅仅是一般性研究，许多方面还不尽完善， 但还望引起有关学士和专家的关注，对本文的观点提出批评与建议，并希望能够 为中国声乐演唱艺术的发展进献一份微薄的力量。 关键词：音乐剧；演唱特征；美声唱法；融合 Musical emerged in late 19th Century, which is provided with comprehensive new stage art form, intermingle multifarious artistic forms of music, dance, drama ect. It realises the integration and globality of artistic factors, and makes the theatrics reached the omnidirectional stereoscopic. The deep western culture details of european opera, as well as modern western exploration of the integration of the art of opera and Drama provides the important western traditional culture foundation for the birth of the musical, and provides ever fount inspiration and reference for the musical art creation in the respects of dramatic content, performance form, and art language. Especially in the singing, musical borrowed a lot of Bel Canto vocal method and the concept of sound, emphasizes the skills of the breath control, throat open, clear diction, sound resonance, also the singing forms of solo, duet, chorus etc. The analysis of the feathers of musical singing in this paper mainly bisis on the use of Bel Canto in musical. The thesis is devided into three chapters. Firstly, to summarize the research background of the subject and the current situations of this study at home and abroad. Secondly, the Conceptual elaboration of musical and bel canto, as well as the importance and necessary of bel canto in musical. Thirdly, the examples of a large number of demonstrations. For my academic knowledge is shallow and this thesis is only the general research, it’