传承与演进--晚明书籍的审美形态研究-设计艺术学专业论文.docxVIP

摘要 本文以明万历十年（1582）至明崇祯十七年（1644）这一历史剖断面的书籍形态作 为研究的起始和结束。在研究过程中，不把书籍作为孤立的研究对象，而是将其置于整 个时代的文化架构中，藉由学术思想、物质文化之发展观照书籍形态，注重与社会经济 环境、人文思想背景等多方位的联系，来考察晚明书籍形态的审美特征和历史地位。本 文首先论述了晚明社会风尚的变迁以及西学东渐这些影响书籍形态的社会因素，渐次论 及晚明一世尚“奇”的美学思想以及其产生的社会经济环境、人文思潮背景。这种尚 “奇”的美学思想对包括书籍在内的晚明艺术产生了深远的影响。笔者通过晚明人对经 典的戏谑、频繁使用“奇”字的书名与内容、多姿的插图、新奇的版式几方面论证了晚 明书籍形态尚“奇”的审美特征。在界定晚明书籍形态历史地位的研究环节中，首先从 思想层面分析了晚明设计理念具备的现代性，其“经世致用”的实学思想和“百姓日用 即道”的设计理念已经蕴含了西方现代主义设计“功能主义”和“人本主义”设计思 想的萌芽，并兼及讨论了晚明尚“奇”的美学思想和“为人极之所由立”的实学思想之 间的本质联系。然后，从书籍设计的构成元素（包括文字、插图、书籍形态）、书籍设 计的外部因素（包括印刷技术、刻书业、传播机制）及书与人之间的关系几个方面论证 了晚明书籍奠定了现代书籍的基本形态。晚明为寻常百姓的设计最终促成了我国书籍形 态的完善。 关键词 晚明 书籍艺术 审美形态 ABSTRACT The author has studied the book form which was limited from 1582(Wanli 10 years Ming Dynasty) to 1644(Chongzhen 17 years Ming Dynasty). During the studying, the author doesn’t look on the book as isolated object, but put the book form into cultural construction of the whole period. The author compares learning thought, the development of economy and culture with the book form.Additionally, the author pays attention to the relation between the society economy environment and humanitarian thought background, to study the history status and the character of the books form. In the article, the author expounds the changes of moral values in the Late Ming Dynasty and the impact of west thought and learning on the Late Ming Dynasty’s book form. Then, the author discusses aesthetic ideology that advocate peculiarity in the Late Ming Dynasty and the background of the society economy environment and Humanitarian thought that the aesthetic ideology bring about. The aesthetic ideology has a profound effect on the Late Ming Dynastys arts including books. From several aspects, such as bantering classics, frequently using the strange title of a book and expressing strange contents, lots of illustrations and novel format as well, the author proves that aesthetic ideology that advocate peculiarity about the Late Ming Dynastys book. In the research link that the author defin