儒道音乐思想中的“知、情、志”-中国音乐史论专业毕业论文.pdfVIP

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儒道音乐思想中的“知、情、志”-中国音乐史论专业毕业论文.pdf

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儒道音乐思想中的“知、情、志”-中国音乐史论专业毕业论文

目录摘要·······························································································I Abstract ·······················································································I 第一章引言···························· 1 一、研究背景、目的及意义·········································································1 （一）研究背景·····················································································1 （二）研究目的·····················································································1 二、研究的思路与方法···············································································1 三、研究的主要内容··················································································2 四、论文可能的创新点···············································································2 五、国内外相关理论研究概况······································································2 第二章儒道音乐思想中的知性追求······················································5 一、儒家对“观”的重视············································································5 二、道家对“知”的反驳············································································7 （一）老子的“大音希声”······································································7 （二）庄子的“天籁之音”······································································8 第三章儒道音乐思想中的情感投入····················································10 一、儒家对伦理之情的张扬········································································10 （一）孔子的“人而不仁如礼何，人而不仁如乐何”···································10 （二）孟子的“乐之实，乐斯二者”·······················································13 （三）荀子的“以道制欲，乐而不乱”····················································15 二、道家对本真之情的推崇········································································16 （一）老子的“五音令人耳聋”·······························································16 （二）庄子的“中纯实而反乎情”····