文学翻译中意境伪证性认识范式研究.docVIP

文学翻译中意境伪证性认识范式研究 　　编者按:翻译具有悠久的历史。但是,翻译学的建设却一直不能令大多数学者满意。翻译学应该如何建构呢?一方面,可以对翻译作品实施理论反思,从中发现翻译的本质和内在机制(包通法、刘正清,刘晓琳)。另一方面,对翻译过程进行多维度探索,力争从整体上把握翻译的实质。最后,在反思和探索的基础上建构翻译学。 　　 　　提 要:意境是中国传统诗学理论中最具民族特性的审美范畴之一。如何原汁原味地传递原作的审美范式和意趣是翻译美学研究极富挑战性的命题。从汉古诗诗化语言表征和“形上”美学意义体验范式看,文学作品意境体验存在伪证性质感可谓是我诗学千年以降审美形态和话语主流。然而作为意境载体的意象,从意境的发生论、生成方式和传输模式等方面加以甄别则可以发现认知源头和诗意范畴的可证性理据,这为跨文化翻译体验和表征研究克服意境的伪证性体验、表征与鉴赏提供了充分的理性真实理据。故在文学翻译实践中,译者只有在“形式就是内容”观照下,忠于原文意象,确保审美发生源头的原汁原味,使诗歌意境的体认和重现中体现某种理性质感,确保目标语读者认知、体验原作意境美学路径的正确性,从而建构文学意境美学翻译诗性与理性互为的认识观和方法论。 　　关键词:文学翻译;意境;意境的伪证性;忠于原作意象 　　中图分类号:H315.9 文献标识码:A 文章编号:1000-0100(2010)03-0155-6 　　 　　On Non-Testification Cognitive Paradigm of Ideoimageryin Literature Translation 　　Bao Tong-fa Liu Zheng-qing 　　(Jiangnan University, Wuxi 214000, China) 　　Ideoimagery belongs to a specially-featured domain of the classical aesthetics of Chinese poetry. Ithas also been proved that the most challenging and attractive subjectis how to transfer the aesthetic sensation in the original works in the literary translation. In regard of the poetic expressions and meta-empirical paradigm in classical Chinese poetry, the non-testification of its ideoimagery has been an established and dominating conception for ages. However, this paper tries to analyze some testification essence of ideoimagery in nature,and offers some basic epistemology and solutions overcoming the non-testification of ideoimagery in literary translation by identifying the formation of meta aesthetic imagery which is born with tangible carriers in the end. In the light of the concept that format is content, this paper comes to the constructive and poetic rationale that in literary translation, translators should be faithful to the images employed in the original works, so to ensure the correct source of information by which readers have more possibilities to arrive at the true aesthetic-imagery of original works. 　　Key words:literary translation;ideoimagery;the non-testification of ideoimagery; faithfulnes