京派电视剧的文化内涵研究广播电视艺术学专业论文.docxVIP

PAGE PAGE IV Abstract Abstract In 1985, according to a novel Lao she drama four generations is known as the staple of TV series. Then, in almost 30 years of development, the Beijing TV series has always kept a strong momentum of development, with audiences love, become the big TV ratings of safeguard, the Beijing TV has become our country like an important part of the drama. Full text is divided into five sections to discuss: the first chapter the introduction section of the paper should briefly stated this research of the origin and meaning. The second chapter through the material analysis, in the existing literature to collect the collection and analysis research foundation, according to the society, the political, economic and cultural background, inductive comb a Beijing the development course of TV series. The third chapter of the Beijing TV is subject basis for the study on the background of television series creations of different combined with a specific narrative content, Beijing will be roughly divided into drama nearly mode rn family drama and subject matter contemporary urban subject two subjects type TV series, and the two subjects types of the Beijing drama in the main characteristics are discussed in this paper. The fourth ZhangCai use text analysis, as ZhangDaMin bitches happy life empty mirror four generations under the story of the pagoda may incense and struggle this seven Beijing respectively TV visual texts, analysis into these TV full-bodied Beijing geographical features, by the virtue of the cultural significance, and reflected the cultural character of how Beijing and personality, this also is full text focuses on a chapter. Chapter 5 is the artistic quality of Beijing TV series, that is how long the Beijing TV can keep strong momentum of development of the main reason. Conclusion of the chapters of paper, and briefly reveals a growing urban modernization and globalization in the background of the Beijing television series creations existi