论中和之美-音乐学专业论文.docxVIP

PAGE PAGE IV “moderate” and “time” esthetics principle. Namely the emphasis things optimum condition is the moderate condition. Only then has achieved “moderately”, can achieve harmonious aestheticism. At the same time, also stressed that under the different space and time condition, should along with the time, the place as well as the situation development change, momentarily is accommodating by grasps at that time other place “mean neutrality”. The people when grasp “aestheticism” this definition condition, only then can create each time concrete art and graceful and friendly. Therefore, “moderate” is not only the criterion which “neutral” the beauty must obey is also its condition one kind manifests. After Kong Zi, “mean neutrality” the thought has been occupying the dominant position in Chineses idea. Along with time development, its connotation also in development change, and regarding later generations poetry, the prose, the novel, the play, music, the drawing, the building and so on has had the profound influence. Key word: mean neutrality aestheticism moderate harmony 目 录 第一章 中和美学的历史文化起源???????????????1 第一节 天人合一—中和思想的萌芽????????????????1 第二节 “太和”——中和思想的衍进???????????????4 第三节 “中庸”——中和思想的总结???????????????7 第二章 中和美学的内涵???????????????????11 第一节 适中的美学原则????????????????????11 第二节 时中的美学原则????????????????????15 第三节 和雅的审美境界????????????????????17 第三章 中和美学的表现及影响????????????????23 第一节 “中和”思想在后代的发展????????????????23 第二节 “中和”之美在中国古典艺术的体现????????????27 第三节 “中和”之美与元杂剧的“圆合型”结局??????????31 第四章 中和美学的意义和局限????????????????34 第一节 中和之美的意义????????????????????34 第二节 中和美学的局限????????????????????35 结 语????????????????????????????38 参考文献????????????????????????????39 致 谢????????????????????????????41 攻读硕士学位期间发表的论文?????????????????42 PAGE PAGE 1 第一章 中和美学的历史文化起源 第一章 中和美学的历史文化起源 “中和之美”是中国人理想的美的类型。它多表现为一种理性的、有节制的 美。远古时代，尚“中”思想就已经出现，然而，一直到了孔子，这一范畴才得 以确立并且在与儒家和道家思想的融汇中逐渐同审美意识建立起了特殊的联系。 美学命题的产生和发展离不开一定的社会历史文化。在先秦时代，美学、哲 学、诗学和各种文化形态浑为一体，还没有形成独立的体系和范畴。所以，美学 思想的发展、演变也都是在文化和哲