从目的论角度看格劳特《西方音乐史》第四版和第六版译本-艺术学专业论文.docxVIP

中文摘要 本文以翻译目的论作为理论基础，经过描述和比较的研究模式分别对格劳特 《西方音乐史》第四版和第六版的译本进行了分析和说明。首先，本文介绍了翻 译目的论的发展历程，简述了它的基本观点和三个主要原则，即目的性原则、连 贯性原则和忠实性原则；以及翻译目的论的优点和局限性。接着，作者在目的性 原则、连贯性原则和忠实性原则的指导下，分别对格劳特《西方音乐史》第四版 和第六版的原文和译文的异同做出了详细的对比，发现正是由于译文和原文的写 作目的相同，因此两个版本的译文在语言特征和写作风格方面都呈现出与原文相 同的特点。同时，在连贯性原则方面，译文也较为成功。 关键词: 目的论 目的性法则 连贯性法则 忠实性法则 格劳特《西方音乐 史》 Abstract This paper, on the basis of skopostheorie, analyzes the Chinese version of A History of Western Music’s fourth edition and sixth edition. A descriptive-explanatory method along with a case study is adopted in this research. Firstly, the article reviews the history of Skopostheorie, outlines the basic concepts and the three key rules-- Skopos rule, Coherence rule and Fidelity rule, and reveals its merits and demerits. Then the author makes a comparison between the source texts (ST) and target texts (TT) of two editions of A History of Western Music under the three rules. From the comparison, the author finds out that the skopos of TT is similar to that of ST in both editions, that’s why the TT is similar to the ST both in the language and writing style. The TT also does well in intracoherence. Keywords: the Skopostheorie; Skopos rule; Coherence rule; Fidelity rule; Grout: A History of Western Music 目录 HYPERLINK \l _bookmark0 绪论 ..................................................................................................................................................1 HYPERLINK \l _bookmark1 第一章 翻译目的论概述.................................................................................................................3 HYPERLINK \l _bookmark2 1.1 德国功能翻译理论的发展简介........................................................................................3 HYPERLINK \l _bookmark3 1.2 目的论——德国功能派翻译理论的核心........................................................................4 HYPERLINK \l _bookmark4 1.2.1 翻译目的论的主要观点.......................................................................................5 HYPERLINK \l _bookmark5 1.2.2 翻译目的论的三个原则....