《别让我走》和《分身》的悲剧美学视角之比较研究比较文学与世界文学专业论文.docxVIP

万方数据 万方数据 摘要 对生命的歌颂以及悲剧本身的崇高美。 关键词：《别让我走》；《分身》；悲剧美学；比较研究 II Abst Abstract Abstract Tragedy is one of the main themes in the world literature. So many excellent Ancient Greek tragedies showed that tragedy is derived from the struggle between human and the unknown outside world. In the process of struggle, the struggle consciousness and the lofty beauty of tragedy has been shown. Even though the tragic and ultimate death is inevitable, the struggling spirits of human being is reflected. When they face the tragedy and misfortune, the struggle process fully embodies the aesthetic value of tragedy, and then encourages and awakens people in the real world. This thesis tries to make a comparative study on the aesthetic significance of Kazuo Ishiguro’s Never Let Me Go and Keigo Higashino’s Doppelganger and analyse the cultural factors of the two tragedies. This thesis is made up of three chapters besides the Introduction and the Conclusion. A brief introduction to Kazuo Ishiguro and Keigo Higashino’s literary achievements, the two texts and tragedy aesthetic theory employed in this thesis is made in the first part. In addition, the literature review of the two texts and the research methods used in this thesis and research significance of this thesis are described in this part. Chapter One mainly analyses the theories of tragic aesthetics, and further articulates the tragic consciousness, the essence and aesthetic characteristic of tragedy and tragic complex in Japanese literature. The second chapter analyses the Never Let Me Go and Doppelganger from three aspects: the struggling spirit of tragic life, the tragic conflicts and the tragic ending, and then further analyses the tragic aesthetic significance of the two texts. The third chapter centers on the cultural roots of the two tragic texts. This part firstly analyses how the aesthetics appreciation of tragic beauty in Japanese culture influence Ishiguro and Higashino, then analyses both the Japanese tradition a