从新民歌的发展看民族声乐多元化的构建-音乐学、声乐演唱与教学研究专业论文.docxVIP

摘 要 民族声乐艺术伴随着中国民族文化的发展大约已有五千多年的历史。在这个 悠久的历史长河中，民族声乐艺术不断发展更替，在每个不同的时代背景下都留 下了深深的历史烙印。发展至今，已到了一个多元交叉的局面。在这个多元发展 的时代，各种不同风格的音乐并存，传统民歌与现代创作民族歌曲既相互影响又 各自发展。不同新的音乐形式不断出现，代表新风尚的“新民歌”，独树一帜，广 受大众欢迎。这种歌曲形式，将民族风格与流行、通俗特征相结合，在立足传统 的基础上更多的体现现代、时尚、流行、通俗，具有现代审美取向，迎合了新时 代背景下人们新的审美心理与需求；这种歌曲形式在现阶段已经有蓬勃发展的趋 势，也可以说是现阶段民族声乐艺术领域的一个新现象。本文就从新民歌的发展 看民族声乐多元化的构建进行研究，通过分析总结出：新民歌是新时代社会经济 发展，人们生活水平提高，审美观念改变的必然产物；新民歌不管是在中国还是 在世界已经发展成为一种潮流趋势；新民歌有广阔的发展前景；新民歌的发展促 进民族声乐构建真正的高层次的多元化。对待新时代的新民歌，我们该有客观、 正确的认识。它是时代发展的必然产物，是民族声乐艺术与时俱进的结果，是新 时代音乐领域的创新，我们应该给予鼓励。 关键词： 新民歌 民族声乐 多元化 构建 Abstract The national vocal music art has about five thousand history with the development of Chinese national culture. The national vocal music art is continuously developing and altering over this long history. It left deep history brand at various times. It has been a multivariate and intersecting phase yet. In this multivariate era, various music styles exist at the same time. Traditional folk song and modern creative folk song are not only interacting with each other, but also develop respectively. Various new-music is continuously appearing. The new folk song which represents new wave is something unique and sought-after. This form of song married the national style and popular, stylish element; it embodies more of the modern, fashion, stylish, popular element than the tradition and is full of modern esthetic disposition. It met people’s esthetic psychology and demand, and it has made great progress in the new times. We can also say that it is a new phenomenon of national music art domain in present stage. This paper does research in the construction of Pluralism Chinese national vocal music from the development of new folk song. The research sums up via analysis: the new folk song is a bound product of people’s esthetic idea change after the economics’ development and growth in the living standard. The new folk song has been a trend, either in China or in the world. It has vast potential fo