从翻译审美角度对《红楼梦》两个英译本 的翻译风格对比研究-翻译专业论文.docxVIP

独创性声明 本人声窃所呈交的论文是我个人在导师指导下(或我个人…..‘〉进行的削究 工作及取得 的研究成果 尽我所知，除了文中特别加以标注和放谢的地方外. 论文中不包含其他入已经发表或撰写过的研究成果 .也不包含为获得 fj I甸科技 学或其它教育 机构的 学位或证书而 使用过的材料 e 与我 l司工作的 II志对本州究 所做的任何贡献均已 在论文中作了明确的说明并表示了谢意也 签名:鹊桥栋 日期: )1)/11. I 关于论文使用和授权的说明 本人完全了解西南科技大学有关保留、使用学位论文的规定， np: 学校有权 保留学位论文的复印件，允许该论文被查阅和借阅:学校可以公布 该论屯 的全 3日 或部分内容，可以采用影印、缩印或其他复制手段保存论文。 (保密的学位论文在解密后应遵守此规定) 导师签名A 忡扩:功d 川 签名:私琳栋 Abstract Hong Lou Meng, written by Cao Xueqing (?1715-?1763), a novelist in Qing Dynasty, is one of the four great Chinese traditional novels. He has ups and downs in life and feels the fickleness of the world, but he has presented in the novel his complex aesthetics as that of an ancient Chinese nobleman, stressing perceptual experience of beauty that features a unique writing style of Chinese aesthetics. So translation of Hong Lou Meng is of significance for alien readers to know more about China and Chinese cultures. As Hong Lou Meng has lots of descriptions of Chinese traditional cultures, social customs and habits, translators must deal with these descriptions and the styles shown in the process deserve to be researched. This thesis makes a comparative study on two widely accepted English versions of Hong Lou Meng, respectively, David Hawks’ The Story of the Stone and Yang Xianyi’ The Dream of the Red Chamber. According to the theory of translation aesthetics, different translators hold different translation aesthetics, so they might employ different wording, arranging of paragraphs, and translating strategies in their translations. However, the style markers is formed by arrangement of lexical, syntactic and textual components, and the most basic beauty of language lies in the “optimal lexical collocation”. Thus, in a successful translation, the translator has always tried to represent the beauty in Yinmei (the beauty in sound), Xingmei (the beauty in form), and Yimei (the beauty in poetic imagery) applied by the meaning and image of the original work. This thesis aims at a discovery of