analysis of schumanns music aesthetics（舒曼的音乐美学的分析）.docVIP

Analysis of Schumann’s music aesthetics [Paper Keywords]: Aesthetics of Music; Schumann; feelings on [Abstract]: Robert Schumann in the lost opportunity to become a pianist, he has not given up the music, but has not affected his contribution to music the music aesthetics is an old and young disciplines, is a combination of aesthetics and musicology of a cross-discipline, is a philosophical theory of the nature of music-based subjects. Schumann stands for ‘feelings’ theory has a specific aesthetic content, with the Romanticism of the deep imprint. Music is a good performance of the person’s psychological experience of real life, especially in the emotional attitude of the musical art in the art of .19 century under the influence of the romantic attention thought into the ‘aesthetic emotion’, this time by the advocates turned to advocating rational emotion. Schumann to a maxim summarizes the general psychology of the times: ‘reason sometimes an error - the feelings are not wrong.’ First, the music and the special laws - Aesthetics of Music ‘Scientific sense of aesthetics and musicology, along with the modern development of the humanities and social sciences, in the second half of the 18th century began to appear, and as their subordinate branches of the discipline of musical aesthetics of the establishment of course, after this . ‘Aesthetics of Music is an old and young subjects, is a combination of aesthetics and musicology of a cross-discipline, is a philosophical nature of the music theory subjects .1750, the German philosopher Alexander Baum Jiadun publication of the ‘aesthetic’ in the name of aesthetics monograph I, this is his first time ‘aesthetic’ in the name of the landmark publication of the book .1784, the German musicologist Daniel Stewart for the first time children Shuba ‘Music’ and ‘aesthetics’ of these two concepts together, since produced a ‘Aesthetics of Music’ is the term. Since this subject is an independent music aesthetic